VT500ECO

Optimally intelligible and neutral voice reproduction is the top priority with the VT500 and is made possible by the high-end capsule used. Of course, the microphone is also optimised for wearing under clothing and has therefore been established in the film production sector for many years. 

The ECO version is perfect for users who only need the essential accessories such as the AC (Alligator Clip) and PW (Professional Windscreen). The VT500ECO is supplied with a more cost-effective plastic box.

Thanks to injection moulding, the microphone is extremely robust and shock-resistant. The cable is moulded directly into the capsule housing, which makes it virtually impossible to pull out.

The RF-protected microphone capsule prevents interference from RF signals and the particularly flexible connection cable ensures that handling noise is eliminated.

The VT500ECO is available with various plugs for connection to the most common wireless systems & recorders.

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Colours vt500ecocolours
Capsule type Electret condenser
Polar pattern Omni
Frequency range 40Hz- 20kHz
Sensitivity -59dB ±3dB re 1V/microbar (1.1mV/Pa)
Noise level 26dB "A" weighted
Max. input SPL 118dB
Impedance 3 kOhm
Bias/+VDC 1.3V (0.9-20V)
Current drain 25 μA
Dimensions 13x7x3.5mm
Cable Length 1.5m Ø 1.5mm
Weight 7g
Wiring configuration (2 & 3-wire)
Red +VDC
Copper NF
Green Ground
Frequency response

Accessories supplied

ALLIGATOR CLIP (BLACK)
PLASTIC BOX
PROFESSIONAL WINDSCREEN (BLACK )

Optional accessories

DUAL ALLIGATOR CLIP
MAGNETIC CAGE CLIP
DRACULA CLIP (BLACK)
CAGE CLIP
TIE TAC CLIP (BLACK)
RUBBER BODY MOUNT II
VT STICKY
RADIUS LARGE HOLE URCHIN WINDSHIELD
VTO-BOX
VT1126 (selectable with 3.5mm, TA3, TA4, TA5 or Lemo 3Pin socket)

References

"You may be interested in this fact: I am using eleven VT500 mics on an ABC Television Network show. The show is called „The Chew“. It is seen in the entire USA and Canada, Monday to Friday at 1:00p.m.“

Brian Pannier / Production Sound Mixer

"Einstein's Light - is a documentary film in collaboration with Unesco and the International Year of Light. The film was shot with with a 2 person sound team at 12 locations around the globe. I shot 5 of them. I was able to do my part brilliantly with the VT500, with a speciality being the attachment of the microphone capsule to the top buttonhole, so that the microphone showed up instead of the shirt button."  

Roni Ulmann / FiftyFiftyFilm

 

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